Outline
for From Psycho to Scream: Why Movie Horror Doesn't Die
(with selected reference material)
Joanne Cantor, Professor Emerita
University of Wisconsin-Madison
1. You Are Not Alone – The surprising prevalence of movie-induced
fright reactions
Early research on movies and fear – Psychiatric case
studies (1)
Research on college students' memories of fright
reactions (2)
90% reported an experience
52% reported disturbances in
eating and sleeping
35% subsequently avoided or
dreaded similar situations
22% reported not being able to
get images out of their heads
26% said effects were still
ongoing – after many, many years
Amazing anecdotes about effects (3)
Showering after Psycho
Swimming after Jaws (even in
pools and lakes)
Clowns, trees, and TVs after
Poltergeist
Babysitting after Scream; Camping
after The Blair Witch, etc.
2. It's Not What You Think – How children's thinking affects what
frightens them (4)
Young children are often frightened by things their parents would never
expect to be frightening
– Disney movies from Bambi to The Lion King; The Wizard of Oz; The
Incredible Hulk; (even The Count on Sesame Street)
Cognitive factors affecting fears at different ages:
Jean Piaget and cognitive development (5)
Preschoolers:
The importance of appearance
The trouble with transformations
Fantasy = Reality
Adolescents and young adults:
Issues of sexual assault and
stalking (6)
The supernatural – that gray area
between fantasy and fiction
3. Isn't It Always About Sex? –Sex and gender in scary movies
Women may seem to be more scared by movies than men – but it depends on
what's in the movie and how you measure "scared." (7)
Women's and men's different roles in movies
Men are more likely to be victims, but the camera spends more time on
women's fear (8)
In slasher movies, women are more likely to be victimized after
behaving in a sexually liberated or independent fashion (9)
The role of scary movies in dating
Scary movies intensify sex-role behavior [men prefer women who scare;
women prefer men who are strong and "brave"(10)
Scary movies increase the desire
for closeness (11)
Physiologically speaking, why fear can intensify romantic feelings (12)
4. Getting Over It – and Learning to Breathe Again:
Overcoming media-induced trauma
Why movie effects are so indelible (13,14)
The physiology of the fear
response
Emotional memory – and why it
comes back
Childhood (and older) coping responses (15)
Common bizarre rituals
Sleeping positions and
"protective gear" (16)
Reasoning it away – what works and what doesn't
Sharing similar stories – finding out you're not
crazy
The therapeutic value of writing about traumatic
events (17)
5. Implications for you and your future
Comprehending your own reactions
Understanding and guiding your (future) children
Choosing entertainment that best suits you
(1) Cantor, J. (2002). Fright reactions to mass media. In J.
Bryant & D. Zillmann (Eds.),
Media
effects: Advances in theory and research (2d ed., pp. 287-306).
Mahwah, NJ: Erlbaum.
(2) Harrison, K., & Cantor, J. (1999). Tales from the
screen: Enduring fright reactions to scary media.
Media Psychology, 1 (2), 97-116.
(3) Cantor, J. (2004). "I'll never have a clown in my house!" –
Why movie horror lives on.
Poetics
Today, 25 (2), 283-304.
(4) Cantor, J. (1998).
“Mommy,
I’m scared”: How TV and movies frighten children and what we can do to
protect them. San Diego, CA: Harcourt.
(5) Flavell, J. H. (1963).
The
developmental psychology of Jean Piaget. New York: Van Nostrand.
(6) Cantor, J., Mares, M. L., & Hyde, J. S. (2003).
Autobiographical memories of exposure to sexual media content.
Media Psychology, 5,1-31.
(7) Peck, E. Y. (1999).
Gender
differences in film-induced fear as a function of type of emotion
measure and stimulus content: A meta-analysis and a laboratory study.
Unpublished doctoral dissertation, University of Wisconsin-Madison.
(8) Weaver, J. B. (1991). Are “slasher” horror films
sexually violent? A content analysis.
Journal of Broadcasting & Electronic
Media, 35, 385-392.
(9) Molitor, F., & Sapolsky, B. S. (1993). Sex,
violence, and victimization in slasher films.
Journal of Broadcasting & Electronic
Media, 37, 233-242.
(10) Mundorf, N., Weaver, J., & Zillmann, D. (1989). Effects
of gender roles and self-perceptions on affective reactions to horror
films.
Sex Roles, 20, 655-673.
(11) Cantor, J. (1998).
“Mommy,
I’m scared”: How TV and movies frighten children and what we can do to
protect them. San Diego, CA: Harcourt.
(12) Cantor, J.R., Zillmann, D., & Bryant, J.
(1975). Enhancement of experienced sexual arousal in response to
erotic stimuli through misattribution of unrelated residual
excitation.
Journal of
Personality and Social Psychology, 32, 69-75.
(13) LeDoux, J. (1996).
The
emotional brain: The mysterious underpinnings of emotional life.
(New York: Simon & Schuster.
(14) Cantor, J. (2006). Why horror doesn’t die: The enduring and
paradoxical effects of frightening entertainment. In J. Bryant & P.
Vorderer (Eds.)
Psychology of
Entertainment (pp. 315-327). Mahwah, NJ: Erlbaum.
(15) Cantor, J., & Wilson, B. J. (1988). Helping
children cope with frightening media presentations.
Current Psychology: Research &
Reviews, 7, 58-75.
(16) Cantor, J. (2004).
Teddy's
TV Troubles. Madison, WI: Goblin Fern Press.
(17) Pennebaker, J. W. (1997).
Opening
up: The healing power of expressing emotions. New York: Guilford
Press.
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